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Gymnopédies, Gnossiennes and Other Works for Piano (Dover Music for Piano), by Erik Satie
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In his piano works especially, Erik Satie (1866–1925) was a witty musical caricaturist. The eccentric French composer loved to satirize academic rules in general and the impressionistic titles of Debussy's compositions in particular, giving his own works such surrealistic names as Pieces in Pear Form and Dried Embryos, and annotating them with equally bizarre musical directions: "Tres 'neuf heures du matin" (Very "nine in the morning"), "Corpulentus" (Corpulent), and so on. His comic spirit is equally embodied in the music itself, as this delightful selection of seventeen piano works amply proves. They are as spare, lively, and capricious as they are hauntingly melodic. In addition to the well-known Gymnopédies and Gnossiennes, the pieces reproduced here include Sarabandes, Pièces froides, Poudre d'or, En habit de cheval, Morceaux en forme de poire, Embryons desséchés, Aperçus désagreables, Descriptions automatiques, and more.
This volume, the largest collection of Satie's piano works yet published, has been reprinted on fine-quality paper from authoritative original editions, and sturdily bound to provide you a lifetime of study and enjoyment. In its pages are some of the most original and appealing achievements of a turbulent era in music, compositions that influenced such modern masters as Ravel, Milhaud, and Poulenc.
- Sales Rank: #493362 in eBooks
- Published on: 2012-12-31
- Released on: 2012-12-31
- Format: Kindle eBook
Most helpful customer reviews
70 of 73 people found the following review helpful.
Gymnopedies, Gnossiennes and Other Works for Piano
By David J. Gilhooly III
This is a very nice and large collection of Satie's works for piano. All of the pieces are reproduced from the original publications and Satie's comments in the original French are included and translated on the bottom of the pages. All three versions of Gymnopedies are there, but only the first 3 Gnossiennes. Many of Satie's compositions aren't divided into measures and it is very interesting to see how he actually wrote the music with his comments. Pieces like the Gnossiennes should be listened to before you actually play them. A good interpretation of all 6 is the CD Satie, 3 Gymnopedies and other piano works by Pascal Roge. Mr. Roge interprets the music beautifully. Then you can play them. Some of the other works included in this book are Sarabandes, Pieces froides (very interesting music), Embryons desseches, Morceaux en frome de Poire and there are 3 pieces written for 4 hands.
20 of 20 people found the following review helpful.
Content high, binding low
By toy junkie
Satie's work has always fascinated me. Playfulness, melancholy, and simplicity - and always easy to recognize. The scoring is, to my not expert ear, very well done and easy to read. I would rate this 5 stars were it not for the deplorable predilection of print music publishers to bind books such that they do not open and lay flat on the piano without breaking the binding. Music is to be played first and last and not, at least not for old fogies like me, just read.
11 of 11 people found the following review helpful.
Falls a bit short for me
By K. Busch
Admittedly, I didn't know much of Satie's music. I ordered this after a friend of mine performed a Gnossienne at a home concert. I have certainly enjoyed playing this music myself but a few things about this volume. The first is that you need a photocopier or you need to be able to memorize quickly: there are numerous two page works where the pagination is exactly wrong, where you must turn the page awkwardly in the middle of every piece -- and these page turns do not occur during pauses. By contrast, I just ordered the Barenreiter edition of the Bach French Suites, and the page turns are all placed with great consideration. It can be done!
The other is that this collection is chock full of works for piano four hands. (I didn't know he wrote so many!) You might feel teased if you lack a co-conspirator.
Finally, there is the Nachlaß not included, e.g., the Gnossienes 4 - 6. Any collection of Schubert or Chopin includes a fair amount of posthumous material. Not so Satie?
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