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For readers of Rules of Civility and The Marriage Plot, Joanna Hershon’s A Dual Inheritance is an engrossing novel of passion, friendship, betrayal, and class—and their reverberations across generations.
Autumn 1962: Ed Cantowitz and Hugh Shipley meet in their final year at Harvard. Ed is far removed from Hugh’s privileged upbringing as a Boston Brahmin, yet his drive and ambition outpace Hugh’s ambivalence about his own life. These two young men form an unlikely friendship, bolstered by a fierce shared desire to transcend their circumstances. But in just a few short years, not only do their paths diverge—one rising on Wall Street, the other becoming a kind of global humanitarian—but their friendship ends abruptly, with only one of them understanding why.
Can a friendship define your view of the world? Spanning from the Cuban Missile Crisis to the present-day stock market collapse, with locations as diverse as Dar es Salaam, Boston, Shenzhen, and Fishers Island, A Dual Inheritance asks this question, as it follows not only these two men, but the complicated women in their vastly different lives. And as Ed and Hugh grow farther and farther apart, they remain uniquely—even surprisingly—connected.
Look for special features inside. Join the Random House Reader’s Circle for author chats and more.
“A big, captivating sweep of a romance . . . a searching exploration of class and destiny in late-twentieth-century America.”—Jennifer Egan
“The best book about male friendship written this young century.”—Details
“[A] warm, smart, enjoyably complex novel . . . Both Hugh and Ed are lonely searchers . . . and [Hershon’s] skill in rendering each of them as flawed individuals is what makes the novel so readable and so rich. . . . A Dual Inheritance is an old-fashioned social novel that feels fresh because of its deft, clear-eyed approach to still-unspoken rules about ethnicity, money and identity.”—San Francisco Chronicle
“An absorbing, fully-realized novel . . . [Hershon] renders the book’s many locales with a nuanced appreciation for the way environment emerges out of the confluence of physical detail and social experience. . . . A Dual Inheritance never lets its readers forget they are reading a well-crafted novel, and as a well-crafted novel, it fully satisfies.”—The Boston Globe
“This marvelous novel is a mix of heartache and history. . . . Think of Anne Tyler and Tom Wolfe, both.”—Victor LaValle, author of The Devil in Silver
“[An] engrossing saga.”—Vogue
“Hershon artfully guides us through the lives of Ed and Hugh, college buddies who meet at Harvard in the ’60s, shifting between their perspectives through adulthood to detail their lingering impact on one another’s lives in such a way that it’ll make you take a second look at all of your relationships.”—GQ
“Let this story of two Harvard men’s unexpected friendship and its sudden end transport you through time (beginning on Harvard’s campus in 1962) and place.”—The Huffington Post
“A richly composed . . . portrait of familial gravity and the wobbly orbits that bring us together again and again.”—Kirkus Reviews
- Sales Rank: #356358 in eBooks
- Published on: 2013-05-07
- Released on: 2013-05-07
- Format: Kindle eBook
Amazon.com Review
A Guest Review of “A Dual Inheritance,” by Joanna Hershon
By Meg Wolitzer
Meg Wolitzer's novels include The Interestings; The Uncoupling; The Ten-Year Nap; The Position; and The Wife. She is also the author of a novel for young readers, The Fingertips of Duncan Dorfman. Wolitzer's short fiction has appeared in The Best American Short Stories and The Pushcart Prize. In September 2013, along with singer-songwriter Suzzy Roche, she will be a guest artist in the Princeton Atelier program at Princeton University.
To open a novel when your characters are in college is to invite the reader into a world that’s just beginning. In her excellent new novel, A Dual Inheritance, Joanna Hershon offers up two protagonists, Ed and Hugh, a Jew and a WASP, two men with very different economic and cultural backgrounds, sensibilities and internal compasses, at the exact moment when they first meet at Harvard in 1962. Her observations of college life in that era are casually and unselfconsciously rendered:
“They went to Adams House and drank gin with limes, and Ed met the head of the drama club and a Crimson writer whose work he admired. Ed watched as girls approached Hugh and Hugh ignored their not-so-subtle invitations. Ed marveled at how, like preening birds, they offered their pale necks, their bosoms, arranged their jewelry to catch the light as if lighting were the issue.”
But this is not a college novel at all, and in fact Harvard is just the springboard to many other places, among them Africa, Haiti and Shenzhen, China, all rendered with authenticity and lightness of touch. It’s a pleasure to see such a close-grained writer use the world as freely as her characters do, and not feel compelled to huddle in a small square of real estate, somehow thinking that that’s the best way to emphasize her protagonists’ interior lives. Interior and exterior lives are given equal shrift here, in a novel that is both psychologically complex and observant in matters of place and time. The latter becomes important as Hershon ambitiously powers her two men across not just continents but also across decades.
A novel of friendship can be harder to pull off than, say, a family novel, in which the characters’ connection is readymade, and it isn’t all that hard to arrange to put two people in the same room every once in a while (think holidays). Though in real life, friends can go a very long time without seeing each other, and though a relationship can shift overtly or microscopically, only a patient, knowing writer allows herself to take the time needed to approximate the rhythms of a long and complicated friendship.
It’s wonderful to see a novelist give her characters lives that are messy and let them engage in relationships that can be baffling. There’s a love triangle here, and a satisfying generational storyline. Neither Hugh nor Ed are given the “curfew” that a more anxious and intrusive writer might insist upon as a way to control the narrative. Instead, they are allowed to unspool, revealing themselves to the reader slowly, subtly, over the course of this observant novel of friendship, love, class and fate.
Joanna Hershon on A Dual InheritanceI’ve always been fascinated by distinct places and periods of time in which unlikely friendships are possible. My last novel was about German settlers in the American Southwest during the mid-1800s. During the writing process, I realized that what compelled me most about this time and place was not just the historical details--so fascinating and unlike our modern existence--but what fertile ground it was for improbable relationships to blossom.
The protagonists of my new novel, A Dual Inheritance, meet in a more prosaic way--at college--than did those 19th century pioneers, but Harvard in the early 1960s had its own set of charms and challenges. Because of their wildly different backgrounds, issues of class and money beset best friends Ed Cantowitz and Hugh Shipley, though more salient is how they both identify as outsiders. But what happens to such a bond over time? How much do their different backgrounds ultimately matter?
Their story takes the reader all over the globe (Dar es Salaam, Shenzhen, Haiti; the wilds of Wall Street) and spans two generations, encompassing a cast of characters to whom I hope you’ll grow just attached as I have. This is the story of two lives converging and—just as quickly—diverging; it’s the surprising, even shocking reverberations of one brief friendship.
From Booklist
*Starred Review* This multigenerational saga spanning almost five decades kicks off with the meeting of Ed Cantowitz and Hugh Shipley at Harvard. The driven Jew and the aimless blue blood couldn’t be more different, but Ed’s persistence with the laconic Hugh cements their friendship. When the love of Hugh’s life, Helen Ordway, comes back into the picture, the three become an inseparable trio. Hugh and Helen try, with little success, to find a girlfriend for Ed. Upon graduation, Hugh makes his way to Tanzania to participate in a documentary, while Ed heads to Wall Street to work for Helen’s father. While Hugh falls into aid work overseas, Ed forms a company with three other men and becomes a stunning success. Helen floats in between them, until a rash encounter with Ed sends her back into Hugh’s arms—and causes Ed to cut off contact with the pair. Years later, Hugh and Helen’s daughter, Vivi, befriends Ed’s daughter, Rebecca, at boarding school, bringing the three adults together once again. Sharply observed and masterfully constructed, Hershon’s (The German Bride, 2009) fourth novel is her strongest yet, a deft and assured examination of ambition, envy, longing, and kinship. --Kristine Huntley
Review
“A Dual Inheritance is a big, captivating, multigenerational sweep of a romance, ranging from Africa to China to New England’s blue-blooded enclaves. With deftness and swagger, Joanna Hershon spins the intertwining of two Harvard men’s lives into a searching exploration of class and destiny in late-twentieth-century America.”—Jennifer Egan, Pulitzer Prize–winning author of A Visit from the Goon Squad
“The best book about male friendship written this young century.”—Details
“[A] warm, smart, enjoyably complex novel . . . Both Hugh and Ed are lonely searchers . . . and [Hershon’s] skill in rendering each of them as flawed individuals is what makes the novel so readable and so rich. . . . A Dual Inheritance is an old-fashioned social novel that feels fresh because of its deft, clear-eyed approach to still-unspoken rules about ethnicity, money and identity.”—San Francisco Chronicle
“An absorbing, fully-realized novel . . . [Hershon] renders the book’s many locales with a nuanced appreciation for the way environment emerges out of the confluence of physical detail and social experience. . . . A Dual Inheritance never lets its readers forget they are reading a well-crafted novel, and as a well-crafted novel, it fully satisfies.”—The Boston Globe
“Simultaneously a riveting story of two very different families and a portrait of the United States through the boom and bust decades . . . Think of Anne Tyler and Tom Wolfe, both. This marvelous novel is a mix of heartache and history. I just couldn’t stop reading, and when it was over I felt sad the experience had ended.”—Victor LaValle, author of The Devil in Silver
“[An] engrossing saga.”—Vogue
“Hershon artfully guides us through the lives of Ed and Hugh, college buddies who meet at Harvard in the ’60s, shifting between their perspectives through adulthood to detail their lingering impact on one another’s lives in such a way that it’ll make you take a second look at all of your relationships.”—GQ
“Let this story of two Harvard men’s unexpected friendship and its sudden end transport you through time (beginning on Harvard’s campus in 1962) and place.”—The Huffington Post
“A richly composed . . . portrait of familial gravity and the wobbly orbits that bring us together again and again.”—Kirkus Reviews
“This thought-provoking generational tale is a heartfelt and beautiful story of an unlikely friendship that fades at times, but never seems to go away.”—Long Island Press
“Sharply observed and masterfully constructed, Hershon’s fourth novel is her strongest yet, a deft and assured examination of ambition, envy, longing, and kinship.”—Booklist (starred review)
“Hershon deftly explores how individuals often sabotage their chances for happiness. . . . The characters in this novel are fully realized, the story moves along at a fast pace, and the author is well informed about her subject. Highly recommended.”—Library Journal (starred review)
“[A] searing novel about class, ethnicity, and love . . . The intensely detailed love triangle is reminiscent of an East Coast elite answer to the Midwestern trio of Freedom, but with mere keen observation in place of that other novel’s sweeping moral pronouncements. Hershon explores the ways we can, and can’t, escape our backgrounds.”—Publishers Weekly (starred review)
“Joanna Hershon has written a vivid, elegant novel that deftly roams the decades and the globe in telling a story about friendship, family, and the murky area in between. A Dual Inheritance is a rich and satisfying read.”—Maggie Shipstead, author of Seating Arrangements
“Joanna Hershon is further evidence of a pleasing trend set off by Jonathan Franzen’s Freedom and Jeffrey Eugenides’s The Marriage Plot: big books about American politics, social customs, and family dynamics that seek to update and relocate the brilliantly compelling English nineteenth-century novel. I envy and admire Hershon’s ability to so convincingly display the complex intimacies of multigenerational love and friendship. This is a book to lose yourself in.”—Antonya Nelson, author of Bound
“Wise, heartfelt, and beautifully written, A Dual Inheritance is about the big things: love, work, family, money. It earns its ambitions and is astonishingly good. I just loved this novel.”—Joshua Henkin, author of The World Without You
“A Dual Inheritance is deep and beautiful and humane. It has a massive scope and a social conscience, and yet is also incredibly intimate. What an accomplished novel; it truly took my breath away.”—Jennifer Gilmore, author of The Mothers
“This brilliant family saga captured me from its opening lines and kept me pinned to the couch—by turns laughing and sobbing—until I’d reached its stunning, satisfying conclusion. It calls to mind The Corrections and The Emperor’s Children, as well as Cheever and Michener and Potok, but this is also a novel squarely in the tradition of Victorian social realism, of Eliot and Galsworthy and Dickens. And like those novels, A Dual Inheritance is a cracking story—populated with complicated, fascinating characters and fueled by surprising turns of plot—but it’s also a deft analysis of class and race in America. With it, Joanna Hershon establishes herself as one of the most important storytellers of the new millennium.”—Joanna Smith Rakoff, author of A Fortunate Age
“This insightful, worldly, and engaging novel, at once intimate and broad in scope, traverses continents and decades while hewing closely to the psychological shadings of its characters. A rueful comedy of entitlement and chagrin, it says volumes about the way we live now.”—Phillip Lopate, author of Getting Personal
From the Hardcover edition.
Most helpful customer reviews
17 of 17 people found the following review helpful.
Good take on an old, tired theme.
By Jill Meyer
Joanna Hershon has written a wonderful book using a time-worn theme - the difference between wealthy WASPs and poor Jews - and has breathed new light into both her characters and her plot. Beginning her book in Boston in 1962, Hershon's two main characters, Hugh Shipley and Ed Cantowitz, are seniors at Harvard. Hugh's from a wealthy Boston Brahmin family and Ed's the son of a poor Jewish immigrant. To say that Ed is on-the-make may be a bit crude, but that's the truth as Hershon presents him. His goal is to be wildly successful in the financial sector, and after a stint at Harvard Business School and a step-up from Hugh's wealthy father-in-law-to-be, Ed becomes an early venture capitalist. Hugh, on the other hand, already from wealth (though somewhat "tired" wealth) wants to "do-good" in the poor areas of Africa.
Hershon's book is divided up into chapters corresponding with time. Ed, who is in love with Helen, Hugh's girlfriend,and then wife, marries, fathers a daughter, and makes a lot of money. Hugh tends to the sick and dying in, first, Africa, and then Haiti, also has a daughter, and builds up a chain of hospitals. He also drinks. He drinks a lot and cheats on Helen. Neither man lives quite the life they had aimed for as young men and they come back into each other's lives at odd points. Their daughters meet at boarding school and they become lifelong friends.
If I've made both the characters and plot seem rather soap-operaish, I didn't mean to. Hershon draws her characters with a nuanced hand. No caricatures among them. The plot is also fairly complex and, with the characters, adds up to a very satisfying read. If you liked her previous novels - and I've only read "The German Bride" - I'll bet you'll like "A Dual Inheritance".
And in her acknowledgements, one of the authors she thanks is Jennifer Cody Epstein, who has just published a superb novel, "The Gods of Heavenly Punishment". It's one of the best novels I've read this year. Both "Gods" and "Dual" are excellent epic novels, by two young, serious authors.
10 of 11 people found the following review helpful.
a wonderful and absorbing novel
By Dorothea Brooke
A Dual Inheritance is the kind of novel you get lost in--it is a big, sweeping, involving drama full of vividly rendered characters whose fates you care about deeply. As you read, the real world fades. You want only to be immersed in the fictional world that Hershon has created.
The book follows a handful of characters from their undergraduate years at Harvard in the 1960s to the present day, moving along the way from New York to Africa to the Caribbean and back again, and growing to include the unfolding lives of their children. At the book's center is a love triangle that is gripping and believable without being at all sentimental: the desire to know how it will ultimately unfold for characters we have come to know so well makes it very difficult to put down the book.
Not only are the characters extremely well-drawn--like Jonathan Franzen's, they feel exceptionally vivid and lifelike--Hershon also renders the shifting social and historical context with great precision and intelligence. She writes with a seemingly effortless authority about everything from the changing racial demographics of Boston neighborhoods in the 1970s to the machinations of Wall Street financiers--but she never loses focus on her wonderful cast of characters and the personal dramas that drive the book forward.
This is a book that will be read with great pleasure by anyone who loves an old-fashioned, character-driven novel in the tradition of many of the most beloved nineteenth century novels. I look back with fondness on the weekend I spent lost in its pages and envy those who still have the pleasure of reading the book for the first time to look forward to.
11 of 13 people found the following review helpful.
Big isn't always better...
By JAMIE L HARMON
The majority of reviews I've read about this book laud it for its "sweeping" story, spread out "across time and place" and for its "fully-realized" characters. But this is my question: so what?
The reader is left with nothing at the end of the book. We are no closer to answering our own emotional dilemmas, nor have we gathered the slightest insight into why Hershon's characters behave as they do. Things just happen to everyone, and seem to bear no relation to other events or characters.
Ed and Hugh, the characters from whom all others flow here, are polar opposites. We understand clearly that it is their different-ness which binds them, and the beginning of the book is the most enjoyable for that. As their relationships branch out, though, they make less and less sense. Their respective daughters meet at boarding school and despite the fact that they have no reason to, they become best friends without knowing of their parents' connection. They vacation together and a bizarre injury which is apparently pivotal in the author's mind, has no connection to the characters' future or past.
Ed, a successful and mindful investor, is revealed as a fraud--and does prison time-- which is also a non-sequitur. Hugh becomes a dissipated alcoholic and inveterate womanizer, who despite these glaring character flaws, also serves poverty-stricken populations by providing medical care through building clinics. There is no rationale behind his chosen profession, no reason he should be driven to care for others and be such a sleaze ball in his life, but there it is. There is no godly reason he should be the object of Ed's daughter's sexual desires, but again, there it is.
Far from being fully-realized, the characters seem to blunder through the years with no discernable unifying purpose. The ending is really frustrating as this fact becomes clear.
In general, this author seems remarkably unqualified to write about these people, and as a result, creates a big, complicated story that leaves the reader wondering why she spent the time to read it.
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