Download PDF Professor Borges: A Course on English Literature, by Jorge Luis Borges
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Professor Borges: A Course on English Literature, by Jorge Luis Borges
Download PDF Professor Borges: A Course on English Literature, by Jorge Luis Borges
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In English at last, Borges’s erudite and entertaining lectures on English literature from Beowulf to Oscar Wilde
Writing for Harper’s Magazine, Edgardo Krebs describes Professor Borges:“A compilation of the twenty-five lectures Borges gave in 1966 at the University of Buenos Aires, where he taught English literature. Starting with the Vikings’ kennings and Beowulf and ending with Stevenson and Oscar Wilde, the book traverses a landscape of ‘precursors,’cross-cultural borrowings, and genres of expression, all connected by Borges into a vast interpretive web. This is the most surprising and useful of Borges’s works to have appeared posthumously.”
Borges takes us on a startling, idiosyncratic, fresh, and highly opinionated tour of English literature, weaving together countless cultural traditions of the last three thousand years. Borges’s lectures — delivered extempore by a man of extraordinary erudition — bring the canon to remarkably vivid life. Now translated into English for the first time, these lectures are accompanied by extensive and informative notes by the Borges scholars Martín Arias and Martín Hadis.
- Sales Rank: #578598 in eBooks
- Published on: 2013-07-22
- Released on: 2013-09-03
- Format: Kindle eBook
Review
Picture this: You're an Argentine teenager, sitting in a lecture hall on the first day of classes, ready to learn about the history of English literature. In walks your kindly, elderly professor, and suddenly he starts speaking, about everything from The Dream of the Rood to Treasure Island, sometimes quoting entire paragraphs, without any notes whatsoever. He's also blind (and has been for more than a decade). What would your reaction be?
Borges' delivery will engross you -- he is an excellent storyteller.
Picture this: You re an Argentine teenager, sitting in a lecture hall on the first day of classes, ready to learn about the history of English literature. In walks your kindly, elderly professor, and suddenly he starts speaking, about everything from The Dream of the Rood to Treasure Island, sometimes quoting entire paragraphs, without any notes whatsoever. He s also blind (and has been for more than a decade). What would your reaction be? "
Readers will probably find Professor Borges more enthralling as a document of Borges himself than as a guide to English literature. Borges s vast erudition is felt everywhere in these pages, and he is at his best when he digresses. --Will Glovinsky"
Borges delivery will engross you he is an excellent storyteller. "
About the Author
Jorge Luis Borges (1890-1982), Argentine poet, critic, and short-story writer, revolutionized modern literature. He was completely blind when appointed the head of Argentina’s National Library.
Katherine Silver is an award-winning literary translator and the co-director of the Banff International Literary Translation Centre (BILTC).
Martín Arias is a writer, journalist, and senior researcher at the National Library's Center for Research in Argentina.
Martín Hadis is a professor, writer, and researcher.
Most helpful customer reviews
25 of 27 people found the following review helpful.
Lesser Borges but still Borges
By Shalom Freedman
Borges gave a series of lectures on English Literature in Buenos Aires in 1966. His students recorded them and transcripts were later made. They are here collected into a book and present Borges' survey of English Literature. It begins with the foundations in Old English but as would be as expected does not go beyond the early twentieth century. Borges was not really at home with contemporary English literature and his greatest loves like Stevenson were of a previous time. The course is a survey and there is much more description and enthusistic championing rather than deep reading. Still Borges is Borges and there is no way he can write a page without writing something interesting in it.
This book is not really for those who would study English literature in depth, but rather for those many readers for whom simply being in the presence of Borges is what he always thought our reading of Literature should be, a great pleasure.
7 of 7 people found the following review helpful.
For Borges fans mostly
By j a haverstick
I'm giving this a 4 not because I didn't really enjoy it but because I feel many will be dissapointed if they take the title literally. I first encountered Borges seriously about 10 yrs ago while on a self-improvement project reading Spanish poetry. I was delighted to see we shared an interest in Schopenhauer, George Berkely and Old English. I read a bio and much of the material in the three volume set of Stories, Essays and Poems by Penguin Classics. I highly recommend this well produced paperback set set to anyone wishing acquantance with this 20th century seminal author. The poetry volume is a dual language book and so anyone with a rudimentery knowledge of the latinate languages can appreciate the poems in the original. I consider them his best work, though the short stories are also highly respected. Borges did not write longer works, all the pieces are quite short. It has often been remarked that he was skipped for the Noble because of some of his unfortunate affiliations with unsavory - to say the least - Latin tyrants. He was, however, no Ezra Pound.
These lectures on English literature are highly idiosyncratic and selective. He goes from long remarks on Anglo Saxon and Scandanavian literature straight to Sam Johnson in the mid 17 hundreds. His remarks often digress into the aesthtics of the language of the period and the imagined national characteristics of the speakers to the virtues of the literature itself. However the reader reacts to these speculations, they are always full of sparkling comments and insights.
After Johnson and Boswell, two of my favorites and engagingly treated, we proceed to Browning, Stevenson and some Romantics. Wordsworth, Blake and Coleridge are perhaps poets we know mostly in passing these days and Borges' remarks are stimulating. I went back to reread some of them and found it rewarding after Borges' remarks. We finish, surprisingly, with William Morris and the Arts and Crafts movement of the early 20th century. Because of Morris' influence on art and book production, I'm an afficionado, but I bet I'm in a distinct minority. As to Rossetti, who also gets a lot of attention, good luck even finding him in a standard anthology today (same with Morris, actually).I certainly wouldn't expect to find him in lectures on literature which exclude Milton, Shakespear and Joyce. Anyhow, that's the caveat. This is about the brilliant working of Borges mind, not a refresher course on English lit!
Apparently these lectures, from the 60's, were taped, transcribed in 2003 or so, and just now translated into English. I read in a review in the NYRB that they were not particulary popular in Argentinia..."a prophet has no honor....." They seem to give a pretty good idea of how the master may have performed as a lecturer, side musings, digressions and all, and for that reason I think are a great addition to the library of all serious readers of Jorge Borges.
6 of 6 people found the following review helpful.
English Lit 101 resurrected
By D. McGraw
Borges brings alive the old english epics so that you wish the Normans had been beaten back in 1066; curious to see how our literature and our world would have evolved differently. His taste is for the action of old english, the sound of alliterative poetry in prose and the beginnings of an interior dialogue without the abstraction introduced with the injection of french. He finds mystery and enigma without the falsity and forcing of irony nor any overt Christian narrative overlay. He points to a world of pleasurable reading for 21st century sensibilities from a literature more than a century old. Funny, after a century of analysis from a legion of english professors it takes a man who wrote in spanish, lived in Argentina, who was outside the critical traditions of the Academy, who read only for pleasure, and finally was blind - to see the deepest into our literature.
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