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** Get Free Ebook Divas and Scholars: Performing Italian Opera, by Philip Gossett

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Divas and Scholars: Performing Italian Opera, by Philip Gossett

Divas and Scholars: Performing Italian Opera, by Philip Gossett



Divas and Scholars: Performing Italian Opera, by Philip Gossett

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Divas and Scholars: Performing Italian Opera, by Philip Gossett



Winner of the 2007 Otto Kinkeldey Award from the American Musicological Society and the 2007 Deems Taylor Award from the American Society of Composers, Authors, and Publishers.


Divas and Scholars is a dazzling and beguiling account of how opera comes to the stage, filled with Philip Gossett’s personal experiences of triumphant—and even failed—performances and suffused with his towering and tonic passion for music. Writing as a fan, a musician, and a scholar, Gossett, the world's leading authority on the performance of Italian opera, brings colorfully to life the problems, and occasionally the scandals, that attend the production of some of our most favorite operas. 



Gossett begins by tracing the social history of nineteenth-century Italian theaters in order to explain the nature of the musical scores from which performers have long worked. He then illuminates the often hidden but crucial negotiations opera scholars and opera conductors and performers: What does it mean to talk about performing from a critical edition? How does one determine what music to perform when multiple versions of an opera exist? What are the implications of omitting passages from an opera in a performance? In addition to vexing questions such as these, Gossett also tackles issues of ornamentation and transposition in vocal style, the matters of translation and adaptation, and even aspects of stage direction and set design. 



Throughout this extensive and passionate work, Gossett enlivens his history with reports from his own experiences with major opera companies at venues ranging from the Metropolitan and Santa Fe operas to the Rossini Opera Festival at Pesaro. The result is a book that will enthrall both aficionados of Italian opera and newcomers seeking a reliable introduction to it—in all its incomparable grandeur and timeless allure.

 



  • Sales Rank: #983610 in eBooks
  • Published on: 2008-09-15
  • Released on: 2008-09-15
  • Format: Kindle eBook

Review
Bruno Bartoletti : "I knew Philip Gossett was a great scholar. Now I find out that he is also a tremendous storyteller. Divas and Scholars is not only erudite: it's as entertaining and charming as a novel. Singers, conductors, directors, musicologists, real or ideal characters are portrayed here with the right irony (and self-irony). And what a mine of information: for a professional musician such as myself, part two of this book (Performing the Opera) was a welcome benefit, an indispensable guidebook. In my youth I was a pupil of and assistant to Tullio Serafin. Now in my later years I've found in Philip Gossett my prophet."-Bruno Bartoletti
Renee Fleming : "Philip Gossett has made a tremendous contribution to the performance practice of Italian operatic repertoire from Bel Canto to Verdi. His research and dedication to the task have enabled him to provide us, the performers, with a depth and breadth of knowledge about how to approach the specific stylistic challenges of this music. In addition to his scholarly integrity, he is also a fine musician who can implement his own research by creating appropriate ornamentation for singers. I would never dream of approaching this repertoire without first consulting and coaching with him. Fortunately, this book provides a reference so now all musicians can benefit from his work."-Renee Fleming
Marilyn Horne : "This is the book that is indispensable for opera performers, scholars, and lovers. I am thrilled to have mine."-Marilyn Horne
Will Crutchfield : "To call this book `a labor of love' is simply to confirm expectations: Philip Gossett's capacity for labor is legendary in every corner of the operatic profession, and his love for ottocento opera informs every sentence of his extensive writing about it and every bar of his meticulous editions. When some future historian has to describe in a few words the artistic renewal this repertory has enjoyed, I suspect two names will be culled from the hundreds who have contributed: Maria Callas for convincing the public that it was worth taking seriously, and Gossett for showing us all what it would mean to do so. The result has been nothing less than a re-birth for what was once the most popular music in the world, and this book is a wide-ranging and constantly stimulating illumination of the adventure of bringing that about."-Will Crutchfield

About the Author
Philip Gossett is the Robert W. Reneker Distinguished Service Professor in Music and the College at the University of Chicago. He is the general editor of The Works of Giuseppe Verdi, published by the University of Chicago Press and Casa Ricordi, and The Works of Gioachino Rossini. In 2004 he received one of four lifetime achievement awards given by the Andrew W. Mellon Foundation, and in 1998 he received the Cavaliere di Gran Croce, the highest civilian award given by the Italian government. 

Most helpful customer reviews

15 of 16 people found the following review helpful.
A masterpiece of scholarship and a delight to read
By Robert Ginsberg
"Divas & Scholars" is a masterpiece from every possible perspective, and I am astonished that there are only 4 customer reviews ahead of mine. It is written in the liveliest, most personal style. Every chapter, every paragraph, every sentence is filled with fascinating information and insights. (The only book on music that I have ever read that is its equal is Charles Rosen's universally acclaimed "Classical Style," which was published 35 years ago. Rosen himself gave "Divas & Scholars" a rave review in the New York Review of Books (10/05/06).) No one before Gossett has ever explained so clearly the conditions under which masterpieces by Rossini, Bellini, Donizetti, and Verdi were not merely created but nearly tossed off, in almost the manner one associates with live television in the 50's. No one else has ever explained so clearly what a first performance looked like and sounded like, the lighting, the gestures, the sound in a particular theater or particular instruments, and the particular text and ornamentation that a singer chose. No one else has ever shown in such specific detail how performance traditions (and music) were transmitted and how they changed over time and place. "Divas & Scholars" can be read by everyone--the opera lover, the record listener, the stage designer, professional opera singers, orchestra musicians and conductors, and directors. It could be read by everyone who has ever loved Norma, Lucia, and all the other great figures of bel canto opera. It could be read by anyone with an interest in the social history of Europe in the first half of the nineteenth century. A summary of the delights of this book would be as long as the book itself. Five stars are not enough. It will be a resource and a pleasure forever.

15 of 17 people found the following review helpful.
A treasure-trove
By Stanley Hauer
I found this book a true revelation. No review can express just how much valuable information there is in this book. Certainly the earlier reviewer is correct that this is one of the most important books ever written on early nineteenth-century Italian opera. The focus is on Rossini, Donizetti, Bellini, and early Verdi.

Some chapters can be rough going, with a good bit of technical detail. But even the amateur can find much to learn here.

If you're an informed opera-nut, don't miss this one.

5 of 5 people found the following review helpful.
Opera Geek heaven
By Angus W. Grant
This beautifully presented tome is fascinating. There may only a few die hard, full time dismissers of Italian Opera left, but they will find it harder to be so snooty after reading any of the chapters. It is all about context. Gosset provides you with detailed examples of the conditions under which the works were composed and performed and the pressures facing all involved. It is fascinating and made me feel like a musical sloth in my own perfomance habits.

There are very elegantly printed musical examples as well as the odd juicy snide comment about singers whose attitude to performing these works is less than thorough. Sometimes the detail is daunting and perhaps a little dry but you could pick and choose your chapters if this is worrying you.

How reassuring that books like this are still being written when the Music section of Borders is filled with biographies of such musical heavyweights as Sting and Bono.

See all 19 customer reviews...

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