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Mr Norris Changes Trains, by Christopher Isherwood
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Two Englishmen meeting on a train to Berlin in 1930 kick off one of Isherwood’s most enduring novels
On a train to Berlin in late 1930, William Bradshaw locks eyes with Arthur Norris, an irresistibly comical fellow Englishman wearing a rather obvious wig and nervous about producing his passport at the frontier. So begins a friendship conducted in the seedier quarters of the city, where Norris runs a dubious import-export business and lives in excited fear of his bullying secretary,his creditors, and his dominatrix girlfriend, Anni. As the worldwide economic Depression strangles the masses and the Communists make a desperate stand against Fascism and war, Norris sells himself as political orator, spy, and double agent. He also sells his friends. Like its companion novel, Goodbye to Berlin, Mr Norris Changes Trains offers unforgettable characters struggling in the vortex as the Nazis rise to power.
- Sales Rank: #652095 in eBooks
- Published on: 2013-04-23
- Released on: 2013-04-16
- Format: Kindle eBook
About the Author
Christopher Isherwood (1904-1986), perhaps the first major openly gay writer to be read extensively by a wider audience, was one of the most distinguished authors of the twentieth century. His literary friendships encompassed such writers as W. H. Auden, E. M. Forster, Stephen Spender, Tennessee Williams, Truman Capote, and Somerset Maugham.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Berlin before the war
By Torben
The author tells a story from the beginning of the nineteen thirties and from a Berlin which has still not realized how dangerous the political situation is. The book is not political, but politics give never the less a background for the story. Social democrats, communists and nazis are still fighting, but ordinary people really don't care, at least not yet. But at the end of the story you understand what way things are going. A lot of different characters and their acting under these circumstances are described, objectively,completely without prejudice or other strong feelings. Altogether, the book gives a good impression of the atmosphere in Berlin before the great disaster.
1 of 1 people found the following review helpful.
First Published in the US as The Last of Mr. Noris
By RET
This novel -- almost a novella -- was originally published in the US edition of "The Berlin Stories" with "Goodbye to Berlin" so if you own that original volume, you're set. Isherwood's preferred title and the one used in the UK was "Mr. Noris Changes Trains", but his US publisher, as Isherwood put it, "found this obscure," and so it became "The Last of Mr. Noris." A fine read and a great companion piece to The Berlin Stories.
0 of 0 people found the following review helpful.
Sex and Spying in The Weimar Republic
By Lady Fancifull
Christopher Isherwood, inextricably associated with W.H.Auden and Stephen Spender, represents a kind of educated, literary, urbane Englishness, but with interests outside provincial England. Left wing, fairly openly homosexual (when it was illegal) intellectual, finely crafted poets, playwrights and or novelists. And sometimes moving between more than one genre, and even collaborating as writers.
Cambridge educated – though he never finished his degree, Isherwood was drawn to the decadent, artistically modern, politically volatile city of Berlin at the tail end of the twenties and early thirties.
In this book, - and in his more well-known one, Goodbye to Berlin – mainly because it was later turned into the movie, Cabaret – he recounts his experiences in that city, as political instability intensified, and lines of allegiance became sharply drawn, and the Nazi party, initially regarded as a kind of loony fringe, not to be taken seriously, began its terrifying rise.
Isherwood casts himself as William Bradshaw, a young man, eager for the experience of living in another country, earning his living by teaching English to private students. Bradshaw meets the eponymous Mr Norris, striking up a conversation with him as a way to pass time on a long train journey.
“As he spoke he touched his left temple delicately with his finger-tips, coughed, and suddenly smiled. His smile had great charm. It disclosed the ugliest teeth I had ever seen. They were like broken rocks”
Norris is another Englishman, middle-aged, dissolute, clearly a not-to-be trusted wheeler-dealer of some kind, but his distinctly eccentric physical persona, and a strangely appealing charm, despite the obvious dishonesty, amuse Bradshaw, and the two form an unlikely friendship. Norris’s fastidious oddness - the wearing of bizarre wigs and an obsessive attention to prinkings and powderings not usually found at that time openly engaged in by English men, certainly not in England, is typical of the Berlin experience – decadent, sophisticated and utterly unprovincial, which proved alluring about to those seeking a more colourful, even dangerous, European experience. Norris, it later transpires, has predilections for a kind of wholesome sexual deviancy – he is open about his relations with a dominatrix and her ‘minder’ a young man who is a member of the Communist Party. It fact Anni, the whore, AND her minder Otto, are regarded as friends by Norris.
Political affiliations are centre stage everywhere. Isherwood, and Norris choose the Left, even though Norris is not necessarily, ever, quite what he seems, and may have fingers in many pies, as he also has some friends whose political allegiance seem to belong more naturally to the right.
What is marvellous about Isherwood’s writing, a kind of story telling journalism, an exploration of what it was like to be in Berlin, is that although he is undoubtedly writing about a period which became very dark and very dreadful, the second of his Berlin books, particularly, this is the undercurrent, flowing underneath a brilliant, light-touch observation. A sense of frenetic life, liveliness, wit and urbanity drive the book along, there is certainly more than a touch of fiddling whilst Rome burns about the Weimar republic.
Norris himself is a quite extraordinary creation, and, just as Bradshaw is Isherwood’s novelising himself, Norris has a real origin – a friend of Isherwood’s, Gerald Hamilton, also a writer, and once known as ‘the wickedest man in Europe’. Hamilton was served time in prison for bankruptcy, theft, being a threat to national security, and, interestingly, numbered amongst his friends not only Isherwood himself, but the unlikely combination of Winston Churchill and Aleister Crowley!
The reader quite falls, as Bradshaw does, under his dubious charm, and it is a strange experience to find oneself appreciating the strange moral ambiguity of someone who would undoubtedly sell his own grannie to the highest bidder, yet, somehow, even whilst grannie might even know that herself, he comes across as naughty, rather than vicious. Or, as Isherwood/Bradshaw puts it, so much more elegantly at the start of the novel:
“My first impression was that the stranger’s eyes were of an unusually light blue. They met mine for several blank seconds, vacant, unmistakably scared. Startled and innocently naughty, they half reminded me of an incident I couldn’t quite place; something which had happened a long time ago, to do with the upper fourth classroom. They were the eyes of a schoolboy surprised in the act of breaking one of the rules. Not that I had caught him, apparently, at anything except his own thoughts; perhaps he imagined I could read them”
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