Ebook Download Figure Drawing (Dover Anatomy for Artists), by Richard G. Hatton
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Figure Drawing (Dover Anatomy for Artists), by Richard G. Hatton
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While there are any number of anatomy texts and handbooks for artists, this is one of the few available studies that approach the art of figure drawing from the point of view of the draftsman. Though it does provide a fund of information on all important anatomical features and functions, the book stresses how the figure-sketcher should handle his subject, how he should actually put down surface lines and prominences on paper. It is an immensely practical guide for the student.
The text covers all aspects of drawing the human form. An important introductory section deals with methods of drawing and the proper proportioning of the body. Then the author treats the various parts of the body in full detail: head and neck (over 100 pages on facial features, etc.), the trunk (chest, abdomen, vertebral column, breast, pelvis, shoulders, etc.) and the upper and lower limbs and digits. A final discussion takes up the topic of drapery, the main points of support on the body, and various styles of representing the folds and forms of garments.
Three hundred seventy-seven figures, mostly sketches by the author, but including some examples from classical times and famous artists, illustrate the text. These figures show undraped men and women of all ages and types in various positions and movements and from all angles (full front view, profile, three-quarter view, rear view, etc.) so that the coverage is as thorough as possible for the student. Other drawings show and identify muscles and elements of the skeletal system and indicate their relation to surface contours.
A clear and readable account with many helpful suggestions on sketching technique, the book offers a nontechnical, inexpensive home-study course or supplementary text for the beginning artist. Those art students who derive little or no benefit from anatomy courses would do well to study this volume.
Unabridged, unaltered republication of original edition.
- Sales Rank: #2127135 in eBooks
- Published on: 2012-09-19
- Released on: 2012-09-19
- Format: Kindle eBook
From the Back Cover
While there are any number of anatomy texts and handbooks for artists, this is one of the few available studies that approach the art of figure drawing from the point of view of the draftsman. Though it does provide a fund of information on all important anatomical features and functions, the book stresses how the figure-sketcher should handle his subject, how he should actually put down surface lines and prominences on paper. It is an immensely practical guide for the student.
The text covers all aspects of drawing the human form. An important introductory section deals with methods of drawing and the proper proportioning of the body. Then the author treats the various parts of the body in full detail: head and neck (over 100 pages on facial features, etc.), the trunk (chest, abdomen, vertebral column, breast, pelvis, shoulders, etc.) and the upper and lower limbs and digits. A final discussion takes up the topic of drapery, the main points of support on the body, and various styles of representing the folds and forms of garments.
Three hundred seventy-seven figures, mostly sketches by the author, but including some examples from classical times and famous artists, illustrate the text. These figures show undraped men and women of all ages and types in various positions and movements and from all angles (full front view, profile, three-quarter view, rear view, etc.) so that the coverage is as thorough as possible for the student. Other drawings show and identify muscles and elements of the skeletal system and indicate their relation to surface contours.
A clear and readable account with many helpful suggestions on sketching technique, the book offers a nontechnical, inexpensive home-study course or supplementary text for the beginning artist. Those art students who derive little or no benefit from anatomy courses would do well to study this volume.
Unabridged, unaltered republication of original edition.
Most helpful customer reviews
5 of 5 people found the following review helpful.
deserves to be better known
By A. Navarro
Quote from back of book, "the book stresses how the figure sketcher should handle his subject, how he should actually put down surface lines and prominences on paper." That is the difference between this and most other anatomy books, always keeping in mind the relationship of anatomical facts and their relevance in drawing the figure.
The book begins by explaining the study of form: what lines mean, the use of planes, and proportion. His philosophy is very different than the usual art instruction book, and this book is filled with many useful quotes: "If you begin to model, you may either regard the form as built up of planes, or '...' rounded forms. Both of these predilections are wrong, as well as right;the planes make too many sharp edges, the round masses make none at all. One would say, side with truth, not with imaginary standards, especially as they seem to be proving false. But the draughtsman must begin somewhere." Most writers won't admit to this common sense kind of thinking.
The bulk of the text, of course, deals with the figure, and goes over: the basic forms and masses of each part, the bones and muscles, and which lines are most important in drawing the part. The book ends with a chapter on drapery, which would usually require a second book. Highly recommended.
0 of 2 people found the following review helpful.
Two Stars
By Abdul K-sim Fidouzy BOUZY
Well, this was not what I expected
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