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Epic: Form, Content, and History, by Frederick Turner
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Epic does many things. Among others, it defines the nature of the human storyteller; recalls the creation of the world and of the human race; describes the paradoxical role of the hero as both the Everyman and the radical exception; and establishes the complex quest underlying all human action. Epic illustrates that these ingredients of epic storytelling are universal cultural elements, in existence across multiple remote geographical locations, historical eras, ethnic and linguistic groups, and levels of technological and economic development.
Frederick Turner argues that epic, despite being scoffed at and neglected for over sixty years, is the most fundamental and important of all literary forms and thereby deserves serious critical attention. It is the source and originof all other literature, the frame within which any story is possible. The mission of this book is to repair gaps in the literary understanding of epic studies—and offer permission to future epic writers and composers.
The cultural genres of Marvel Comics, gothic, anime, manga, multi-user dungeon gaming, and superhero movies reprise all the epic themes and motifs. Consider The Wizard of Oz, Star Wars, The Lord of the Rings, Lost, The Matrix, Superman, Harry Potter, and Narnia. Here can be found the epic beast-man, the miraculous birth of the hero, the creation myth, the founding of the city, the quest journey, the descent into the land of the dead, the monsters, and the trickster. This book will be of interest to all readers fascinated by folklore, oral tradition, religious studies, anthropology, mythology, and enthusiastic about literature in general.
- Sales Rank: #1655050 in eBooks
- Published on: 2012-11-06
- Released on: 2012-11-06
- Format: Kindle eBook
Review
"Turner's transdisciplinary knowledge, deeply accomplished career as poet and critic, and wide view of literary and cultural history make him uniquely qualified to write such a singular book. This will truly be a landmark book, an epic book on epic, if you will. . . . Turner becomes the storyteller of epics and the epic story—the book will be utterly riveting and illuminating reading, and inspire readers across a number of fields (as well as general readers) to seek out and read epics from all ages and cultures. . . . [This] stands as a work that will stand the test of time. I believe that our academic culture desperately thirsts for this kind of visionary, informed thinking and substantial argumentation."
—Dr. Paul Harris, Loyola Marymount University
“This is a wide-ranging book which covers epic from its beginnings up to contemporary literary productions and treats of compositions in so many different languages, that, as the author points out, it would be impossible for anyone to know them all. . . . The book is crammed with ideas and images, and I can only mention some of them. . . . Epic typically took its rise when orality was giving way to literacy. It “bestrides the boundary between prehistory and history” (p. 287) and is a genre of such magnitude that it embrases the whole of its culture. Turner encourages us to enter into this vast epic space and imaginatively make ourselves at home there since “time and familiarity themselves ingrain a thing into memory” and “we must live in epic country for a while for it to work its transformation on us” (341).”
—Emily Lyle, Cosmos
“Turner’s overwhelming advantage in writing about Epics is that he is one of our great contemporary poets in that genre. It is as though we equipped Tasso or Vergil with a polymath education in the physical, evolutionary, and social sciences and asked them to use this knowledge to tell us what they were doing. Turner understands that they would come to the same conclusion he does: there are not many epics, there is one epic and that is the story of human evolutionary history from the creation of mankind to the creation of the city, and everything on the way (visit to the dead) and after (destruction and recreation). This story of epic is an epic journey in itself: a tribal encyclopedia for latter-day tribesmen. Brilliantly and expertly told it is not to be missed at any cost.”
—Robin Fox, Rutgers University, author of The Tribal Imagination: Civilization and the Savage Mind
“There is something almost majestic about Frederick Turner’s Epic, the best study ever composed about this foundational literary genre.The range is formidable: from ancient and classical works to twentieth century literary achievements, from Europe and the Mediterranean to Africa, East Asia, and South America. This is, unquestionably, the main, the true, and the genuine way in which globalism can and ought to be understood: through the commonalities of ideal aspirations, and the memories and images of all members of the human family. Turner, once again, proves himself a reliable guide in the philosophical grasp of human culture.”
—Virgil Nemoianu, The Catholic University of America
About the Author
Frederick Turner is Founders Professor, School of Arts and Humanities at the University of Texas at Dallas. A poet, translator, philosopher, cultural critic, and former editor of the Kenyon Review, he has authored more than two dozen books, including Beauty, The Culture of Hope, Genesis, Hadean Eclogues, Shakespeare’s Twenty-First Century Economics, and Natural Religion.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Turner Knows Whereof He Speaks
By Scott W. Weaver
This epic project of the great twenty-first century humanist, Frederick Turner, undertakes a bottom-to-top affective reversal of Giambattista Vico's "The New Science." Whereas the latter uses the myths of the gentile nations as his main scientific taking off point for a bold reimagination of their history, Turner instead uses the fruits of the ongoing modern scientific revolution to show us the way the great epics, as the most perfect distillations of our spirit, have remembered all along what science is so belatedly and painstakingly repiecing together: the origin and meaning of our unique humanity. Instead of being something we grow out of, as in Vico's outlook, Turner gives us the epic as something we're still collectively growing into: our patrimony, in addition to our patrilineage.
As a truly omnicultural scholar, to whom nothing human is alien, (as distinguished from the narrow rejectionism of white-guilt-born multiculturalism, for which nothing is alien, simply because nothing is universally human), Turner delights in the epic productions of a far-flung constellation of cultures. This comprehensiveness gives weight to his culture-transcending argument that the universal raison d'etre of the epic is the puzzling out of the ramifications of the formative evolutionary crucible of our species: that period of runaway sexual- and group-selection, in which we gave ourselves the suite of mental, physiological and cultural characteristics that molded us from animals into humans. In particular, itself the product of civilization, the epic gives the story of the agonizing process of harmonizing these untamed human characteristics to produce a civilized humanity.
Turner's analysis is a fascinating one, enlivened by his obvious passion, not only for literature, but also for science, philosophy, anthropology, and, among other things, etymology. His own experience as a sometime epic composer, rather than raising any suspicion of bad faith (as always threatens to be the case, when an artist tackles her own medium), instead gives an interestingly personal dimension to the forces exerted by the epic muse. After all, an epic is not properly the production of a people's genius, but a person's. Similarly, this book is not a production of the faceless, inhuman academe, but a labor of love on the part of an especially human member of the academy.
1 of 1 people found the following review helpful.
Turner's turn here is a brilliant one. He argues that Epic itself is the ...
By Gregory Borse
Dr. Turner's turn here is a brilliant one. He argues that Epic itself is the literary expression of an evolutionary process by which humans not only articulate their own developing understanding of themselves over time, but help create who we are now and who we will be in the future. The book expertly trades in the vocabulary of evolutionary biology and literary analysis along with folklore and anthropology. Literally something for the tastes of a dozen disciplines. Readers will not be disappointed in Turner's analysis from a variety of points of view and they will be especially rewarded by being enlightened in areas that go beyond the narrow studies that confine themselves to a particular discipline. The world is starved for comprehensive understanding across the disciplines and this book is a model for future intellects in how to span the gulf that exists between different modes of understanding. It stands itself as a call to return to the virtues of the "Renaissance" scholar. Perhaps it will inspire students to become the next Polymaths. This book ought to be their model and Dr. Turner ought to be their Patron Saint.
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